Starting the Day in Black and White
I'll put my rods to work and give my cones a chance to sleep in
Sometimes I start my day with a cup of coffee and a little grisaille on the side. Before I embrace the multi-hued menu of a full palette, I just ease slowly into black and white.
There's no better way to learn about painting than to capture a still life using nothing but black and white.
There’s something deeply poetic about black and white. I love the bleached bones and the deep shadows of this elemental combination.
But there’s a way you can sneak a little color into your grisaille. Below is another black and white sketch of a creamer.
It's painted in gouache over a yellow-ochre square shape that serves as a priming layer. I painted the ochre priming the day before in casein, and I chose casein because it has a closed surface after it dries, meaning it won’t reactivate if it’s rewet. You could also use a matte acrylic (also known as acrylic-gouache) for the priming.
With this little sketch, I allow the underpainting to shine through here and there.
I can even rub off the gouache paint with a damp rag to reveal the priming color.
Below is a behind-the-scenes video clip and a stage-by-stage sequence of a storefront painting.
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